writings (by publication)
撰文

the people, exhibitions, events, happenings inside and outside the contemporary art world, humanity, culture and technology

• 我在 SÓNAR HK 做主持人，迎接人工智能 SOPHIA 回家，并目睹她出了次故障
• 我本以为南非的火人节会更加纯粹，但参加之后觉得有点沮丧

• 身着3D紧身衣操练的功夫大师们

• SURPRISING JAPAN_

• TANC Cinema | 为贾科梅蒂做模特的18天，《最后的肖像》入围柏林电影节 _18_Feb_02017
• transmediale在柏林步入第30年，艺术如何想象一个非人类中心的世界？_8_Feb_02017
• 在M+设计馆藏展“形流意动”中发现1937年以来的亚洲近现代设计_30_Nov_02016
• “宝马艺术之旅”得主杨嘉辉：声音艺术已经“常态化”_21_Jun_02015
• “Inside China”行至香港，以中法当代艺术探寻“巨人之内”_9_Mar_02015
• 私營博物館嵌入荷李活道_Feb_02014
• “光映现场”将登陆巴塞尔香港艺术展_27_Feb_02014
• 巴塞尔香港新设“光影现场”_24_Jan_02014
• 藝術熱升溫，畫廊也變格局_Jan_02014
• 藝術世界向右轉_Jan_02014
• 盧芹齋，文化大使還是歷史罪人？_Jan_02014
• 私人藏品「重出江湖」_Dec_02013
• 「越域」的當代藝術_Dec_02013
• 血與火的藝術洗禮_Nov_02013
• 香港當代藝壇生力軍群像_Nov_02013
• 台北艺博会发掘亚洲价值_9_Nov_02013
• 喧囂之港的藝術綠洲_Oct_02013
• 植根香港的亞洲藝術種子_Oct_02013
• 香港商業空間與藝術上演對手戲_Oct_02013
• 为背叛涂鸦的人加冕_6_Aug_02013

• As Told by Tang Zhigang (This piece is included in Ran Dian’s print magazine, issue 3 - Spring 02016)
• “Event Horizon—Hong Kong”: Reimagining Public Spaces_27_Jan_02016
• Replicating Reality_30_Apr_02015
• Here comes "Zhongguo Dama"_17_Oct_02014
• Super-Marketization in Hong Kong: Why are auction houses opening gallery spaces in Hong Kong?_5_Jun_02014

• 既遠且近，和而不同
• Surasi Kusolwong — Thailand Every Day
• Collector Takeo Obayashi – The Many Paths to Art Patronage
• To Hack Into Hacking
• Haegue Yang’s Ambitiously Unambitious Attempt
• Angela Bulloch ’s One Way Conversation…

• 不仅仅是收藏——Jean-Marc Decrop
• 从心而为——Katie de Tilly
• 五分钟冲动——Alan Lo
• 珠宝盒里的传承——Lynn Fung

• A Look at Sounds from the Past: Gregor Hildebrandt_21_Apr_02015

• 香港内外——Nadim Abbas&Cosmin Costinas
• 化繁为简，有中生无——Gregor Hildebrandt
• 垂直潜水艇：颠覆日常——Vertical Submarine

• 香港七大廢墟探險

• 感知迷幻：皮皮洛蒂•瑞斯特
• 欲望极限：马克•奎恩

translations & interpretations

i work with art centres, biennales, art festivals, art magazines, auction houses, individual artists, brands, etc to bridge the language barrier between English and Chinese, on arts, culture and design.

• 押注未来：四位华人年轻艺术家入选新美术馆三年展_16_Apr_02015
• “寂静”的河原温占领古根海姆博物馆_16_Apr_02015
• 《透纳先生》的最后25年是怎么拍成电影的_10_Dec_02014
• 伦敦巴比肯的“数字化革命”_31_Aug_02014
• 给生活一拳_26_Jan_02014
• 献给葛兰西的纪念碑_21_Aug_02013
• 久违了，洛瑞_5_Aug_02013
• 底特律拟出售艺术品馆藏偿还债务_1_Aug_02013
• 凡高，谋杀还是自杀？_27_Jul_02013
• 大地艺术家特瑞尔的晚景之光_11_Jul_02013

Chinese → English: Articles by Hong Kong film and politics academics and Hong Kong democracy activists that comes with the DVD.

English ←→ Chinese: An essay by Tang Xiaobing and curatorial statement by Anselm Franke in catalogue

Chinese → English Subtitle translation/operation

Chinese → English: "新舊交會，多元並陳─淺談台北當代藝術的收藏發展", 李政勇, February 02015

Chinese → English: Curatorial statement by curator Huang Du, descriptions of artworks and artists' biography

Chinese → English: "Finally we come to the page of 'Classical Music Yearbook'" by Chow Fan-fu, "On The Awkward Situation Faced By Hong Kong's Performance Venues" by Leon Chu, Explanatory Notes

and other organizations including but not limited to

ESTHER SCHIPPER, Christie's, Xavier Hufkens, Victoria&Albert Museum,
Hong Kong Dance Company, City Contemporary Dance Company,
Sonia Rykiel, AMAN, Arca, DYNE, Delvaux, etc